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Modes (ugh)

  • Writer: Charley Sabatino
    Charley Sabatino
  • Feb 13
  • 2 min read

On this "Friday the 13th" installment of @yamahamusicusa #silentbass and @laklandbasses Friday, we discuss probably my least favorite topic (no, not gear, lol). The modes (ugh). Now, I have nothing against these scales per se, it is the mystique surrounding them. Over the years, I have had discussions with students and players that feel learning the modes is a "milestone". Uh..no. If u learn the modes, u will not be inducted into a secret society. No hooded figures will lead u to catacombs and introduce u to secret rituals and powers...no decoder ring...ok? Simply put, the modes are scales starting on different notes of the major scale (there are also modes of other scales, of course). What they give u is harmony and FUNCTION. They help define the chords place in the progression. For example, it's not just a minor scale, it is a 2, 3 or 6 minor scale, etc. Modes can help you to further define ur basslines or solos across the harmony. Sounds good, right? But there is a problem. Unless ur playing ancient music, some forms of jazz and some progressive rock/metal, modes are not 100% applicable. Even in some of these areas, the modes are altered to further enhance harmonic color. Yes, I know, some players (e.g. SRV) have used modes in rock/blues based solos, but understand it is tricky and can lead to trouble. So, what do we do? First, understand the modes AS NOTES, not patterns. Next take a diatonic progression (e.g. ii-V-I, I-iv-ii-V, etc.) And play a bassline or solo over them using the modes. Then do it with pentatonics. Notice a slight difference? The chord movement is slightly more defined in terms of movement and color with the modes. For more info, I suggest "The Jazz Theory Book" by Mark Levine. It is the best and clearest on the subject IMO and I have used it with students of all genres and levels for years. As always, I invite your insights. #yamahamusicusa #makewaves #pirastro #glasserny #laklandbasses #sitstrings #tsunamicables #philjonesbass #uptonbassstringinstrumentcompany #basslessons  #remotelessons #www.charleysabatino.com


 
 
 

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